Which of the Following Is a Commonality Found in the Ancient Art of Different Societies?
5e. Fine art and Architecture
Ane popular course of Greek art was pottery. Vases, vessels, and kraters served both practical and aesthetic purposes. This krater depicts Helios, the sunday god, and dates from the 5th century B.C.E.
The arts reflect the society that creates them. Nowhere is this truer than in the instance of the ancient Greeks. Through their temples, sculpture, and pottery, the Greeks incorporated a fundamental principle of their culture: arete. To the Greeks, arete meant excellence and reaching one's total potential.
Ancient Greek art emphasized the importance and accomplishments of human beings. Even though much of Greek fine art was meant to honour the gods, those very gods were created in the image of humans.
Much artwork was government sponsored and intended for public brandish. Therefore, fine art and architecture were a tremendous source of pride for citizens and could be constitute in various parts of the city. Typically, a metropolis-country fix aside a high-altitude portion of state for an acropolis, an important office of the city-country that was reserved for temples or palaces. The Greeks held religious ceremonies and festivals as well as significant political meetings on the acropolis.
Photo courtesy of www.sacredsites.com and Martin Grayness
The Parthenon was congenital in honor of the goddess Athena, who represented the human being aspiration for cognition and the platonic of wisdom.
Greek Excellence: The Acropolis
In ancient Athens, Pericles ordered the construction of several major temples on the acropolis. Among these was a temple, the Parthenon, which many consider the finest example of Greek architecture.
Built as a tribute to Athena, the goddess of wisdom for whom the city-land Athens was named, the Parthenon is a marvel of design, featuring massive columns contrasting with subtle details.
3 dissimilar types of columns tin be constitute in ancient Greek architecture. Whether the Doric, Ionic, or Corinthian fashion was used depended on the region and the purpose of the structure being built.
Many barely noticeable enhancements to the design of the Parthenon contribute to its overall dazzler and balance. For example, each cavalcade is slightly wider in the middle than at its base and top. The columns are also spaced closer together near the corners of the temple and further apart toward the center. In add-on, the temple'due south steps bend somewhat — lower on the sides and highest in the middle of each step.
Sadly, fourth dimension has not treated the Parthenon well. In the 17th century, the Turks, who had conquered the Greeks, used the Parthenon to store ammunition. An accidental explosion left the Parthenon with no roof and in near ruin. In after years, tourists hauled away pieces of the Parthenon every bit holiday souvenirs.
Beauty in the Human Form
Ancient Greek sculptures were typically fabricated of either stone or wood and very few of them survive to this day. Near Greek sculpture was of the freestanding, man form (fifty-fifty if the statue was of a god) and many sculptures were nudes. The Greeks saw beauty in the naked human body.
Early on Greek statues called kouros were rigid and stood upward straight. Over time, Greek statuary adopted a more natural, relaxed pose with hips thrust to one side, knees and artillery slightly bent, and the head turned to one side.
Other sculptures depicted human activity, peculiarly athletics. A practiced example is Myron'south Discus Thrower Another famous example is a sculpture of Artemis the huntress.
The slice, called "Diana of Versailles," depicts the goddess of the hunt reaching for an arrow while a stag leaps next to her.
Among the virtually famous Greek statues is the Venus de Milo, which was created in the second century B.C.East. The sculptor is unknown, though many art historians believe Praxiteles to take created the slice. This sculpture embodies the Greek ideal of dazzler.
The ancient Greeks besides painted, but very fiddling of their piece of work remains. The most enduring paintings were those constitute decorating ceramic pottery. Two major styles include red effigy (against a black background) and blackness figure (against a red groundwork) pottery. The pictures on the pottery often depicted heroic and tragic stories of gods and humans.
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Source: https://www.ushistory.org/civ/5e.asp
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